My name is Jeremi Biziuk (he/him, they/them), a Polish artist based in the Netherlands since 2017. Through an interdisciplinary practice which includes installations, performance, audio, moving image, textiles, and digital mediums, I explore notions of belonging and reinvention of a personal space. I commit to worldbuilding as my process in which each of my projects reside. My artistic methodology focuses on application of open source, community driven mediums, specifically ones present and accessible in online spaces and those cultivated through live sounds.

The specific narrative driving my projects are the nostalgic longing for the days of early only spaces and cultures. I approach this yearning through a process of reinvention, reimagination of that past moment through my personal point of view, influenced by my heritage, experiences, socio-economic standing, and my curiosities. My practice makes an attempt at synthetically creating something organic, to materialise and recapture a “space” and “time” which felt home to me, which [in]directly shaped my current self.

My focus is on performance and installations, both of which feature a similar body of work. My handmade electronics, modular structures, and usage of open source projects culminate in a sound-heavy approach to resynthesizing tradition and contemporary movements.

The resulting works are a blend of the visual language and aesthetics inspired by a blend of early internet days and my slavic heritage. Somewhat edgy, distinctive pieces made using mediums requiring an obsessive and awkwardly non-ergonomic process. Both the sonic and visual aspects feature an equally digital, lo-fi quality, exhibiting an ambient, ritual-like structure. The rough edges and audible artifacts from the relatively low quality source are something narratively telling of the paradoxically human nature of their making and of the resulting sound.

A little paradox of seeking an audience while looking for ways to obscure myself, for escaping gaze while choosing to put on an expressive attire, this contradictory nature is the first in the paradoxical dialogues I end up working with within my artistic works up until now.

From underneath its disguise I perform my soundpieces live. It also serves as a visual reference towards which all of my works come back to.

>> More about my recent projects, installations, performances <<

Performed at Aaniaalto festival in Helsinki, 2026.

Recent recording made together with Aleksandra Komsta (Oly.)

LajfSesh